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From '50s NYC clubland, a Yma Sumac-inspired version of "Babalu" by jazz/calypso singer Phyllis Branch.
The radio showThe show is Lost Frequencies. Every Monday night from 9pm to 11pm (CST) on Marfa Public Radio I explore the atmospheric side of post-War music: bop & vocals, soul/R&B heartbreak, exotica & soundtrack moods, Latin jazz, oddball instrumentals, honky-tonk ballads, early electronics - even some dreamy '60s psychedelic pop. Tune in at Marfa Public Radio or at KRTS 93.5fm.
Category Archives: Garage Bands
Well well well. A new Office Naps psychedelic pop mix. Do wonders ever cease? This is the sixth of these, and the first in six years, and it skews subtly towards the ’70s and a darker Vietnam-era energy while summoning … Continue reading
Posted on 2014/01/13 by Little Danny It was terrific to speak recently to Dave Yarnell, guitarist and singer with the Plum Beach Incident, whose sterling “Pretty Thing” I first featured back in 2010 in a post surveying ‘60s jangle pop. A … Continue reading
I always feel a little bit leery of posts like these because there’s nothing in the way of, say, regional or sociocultural provenance or shared stylistic cues drawing the selections together, nothing guiding them into cohesive genres or concepts with … Continue reading
Like AM Radio Dust, its companion volume, Bright Lights is just as much an exploration of lost spaces and places as it is of sound. I hope you enjoy it. Bright Lights (single MP3 file) Susan Rafey, “The Big Hurt” … Continue reading
The Byrds’ “I’ll Feel a Whole Lot Better,” first released as a B-side in 1965, was several things. It was, along with its A-side (“All I Really Want to Do”) the much-anticipated follow-up to the group’s “Mr. Tambourine Man,” the … Continue reading
A new, or new to Office Naps, mix this week. AM Radio Dust was my 2009 contribution to the annual CD mix swap over at the Waxidermy forums, the weird id of contemporary record collecting. AM Radio Dust is … Continue reading
Even by the early ‘70s, when Ace Tone Rhythm Aces and Maestro Rhythm Kings and Seeburg Select-a-Rhythms had achieved the limits of their popular use in rock and R&B music (see Bee Gees, Sly Stone, Lowell George, Timmy Thomas, et … Continue reading